Writers, Critics, Intellectuals, Other Nonentities And Their Afflictions According To "The Devil's Dictionary"


AMATEUR, n. A public nuisance who mistakes taste for skill, and confounds his ambition with his ability.
CONNOISSEUR, n. A specialist who knows everything about something and nothing about anything else.
An old wine-bibber having been smashed in a railway collision, some wine was poured upon his lips to revive him. "Pauillac, 1873," he murmured and died.

CRITIC, n. A person who boasts himself hard to please because nobody tries to please him.
There is a land of pure delight,
Beyond the Jordan's flood,
Where saints, apparelled all in white,
Fling back the critic's mud.

And as he legs it through the skies,
His pelt a sable hue,
He sorrows sore to recognize
The missiles that he threw.
—Orrin Goof
IMAGINATION, n. A warehouse of facts, with poet and liar in joint ownership.
INTELLECTUAL, adj. Employed on the Bulletin, in the department of Art, Literature and Agriculture; residing in Boston; near-sighted.
LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods. For your lexicographer, having written his dictionary, comes to be considered "as one having authority," whereas his function is only to make a record, not to give a law. The natural servility of the human understanding having invested him with judicial power, surrenders its right of reason and submits itself to a chronicle as if it were a statute. Let the dictionary (for example) mark a good word as "obsolete" or "obsolescent" and few men thereafter venture to use it, whatever their need of it and however desirable its restoration to favor — whereby the process of impoverishment is accelerated and speech decays. On the contrary, the bold and discerning writer who, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense, has no following and is tartly reminded that "it isn't in the dictionary" — although down to the time of the first lexicographer (Heaven forgive him!) no author ever had used a word that was in the dictionary. In the golden prime and high noon of English speech; when from the lips of the great Elizabethans fell words that made their own meaning and carried it in their very sound; when a Shakspeare and a Bacon were possible, and the language now rapidly perishing at one end and slowly renewed at the other was in vigorous growth and hardy preservation — sweeter than honey and stronger than a lion — the lexicographer was a person unknown, the dictionary a creation which his Creator had not created him to create.God said: "Let Spirit perish into Form,"
And lexicographers arose, a swarm!
Thought fled and left her clothing, which they took,
PLAGIARIZE, v. To take the thought or style of another writer whom one has never, never read.
And catalogued each garment in a book.
Now, from her leafy covert when she cries:
"Give me my clothes and I'll return," they rise
And scan the list, and say without compassion:
"Excuse us — they are mostly out of fashion."
—Sigismund Smith

REPORTER, n. A writer who guesses his way to the truth and dispels it with a tempest of words."More dear than all my bosom knows, O thou
Whose 'lips are sealed' and will not disavow!"
So sang the blithe reporter-man as grew
Beneath his hand the leg-long "interview."
—Barson Maith
PROOF-READER, n. A malefactor who atones for making your writing nonsense by permitting the compositor to make it unintelligible.
RIMER, n. A poet regarded with indifference or disesteem.The rimer quenches his unheeded fires,
The sound surceases and the sense expires.
Then the domestic dog, to east and west,
Expounds the passions burning in his breast.
The rising moon o'er that enchanted land
Pauses to hear and yearns to understand.
—Mowbray Myles
SCRIBBLER, n. A professional writer whose views are antagonistic to one's own.
SPOOKER, n. A writer whose imagination concerns itself with supernatural phenomena, especially the doings of spooks. One of the most illustrious spookers of our time is Mr. William D. Howells, who introduces a well-credentialed reader to as respectable and mannerly a company of spooks as one could wish to meet. To the terror that invests the chairman of a district school board, the Howells ghost adds something of the mystery enveloping a farmer from another township.
READ, v. To get the sense of something written, if it has any. Commonly, it has not.
REVIEW, v.t. To set your wisdom (holding not a doubt of it,
Although in truth there's neither bone nor skin to it)
At work upon a book, and so read out of it
The qualities that you have first read into it.

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